
Sebastião Salgado’s View of Humanity
Last year, on the occasion of Taschen’s reissue of “Workers” (originally published in 1993), I had the chance to interview Salgado over video chat. He was in Paris, sitting in his studio, with a mural-size print of one of his photographs behind him. Salgado had a smooth shaved head and wild white eyebrows. In conversation,…